BY THE BOOK

Anna Boghiguian, Promenade dans l’inconscient (A Walk in the Unconscious) 2016 Exhibition view Tate St Ives 2019. Courtesy the artist Photo: © Tate

Anna Boghiguian unveils a comprehensive exhibit of her work at Tate St. Ives.

Egyptian artist Anna Boghiguian is having quite a deserved moment in the UK art world. Off the back of presenting a monumental installation merging together the impact of the steel industry, globalisation and the communities whose lives encompass at prestigious Artes Mundi Prize in Cardiff (October 26, 2018-February 24, 2019), the artist just opened a major UK solo exhibition at Tate St. Ives in Cornwall, bringing together her signatory notebooks, drawings, paintings, photographs, sculptures and large-scale installations.

Anna Boghiguian, A Play to Play 2013. Courtesy the artist and Sfeir-Semler Gallery, Hamburg & Beirut. Acquired with funding from the friends and patrons of the Museum der Moderne Salzburg in honor of Sabine Breitwieser Installation view: Sharjah Art Foundation, 2018. Image courtesy of Sharjah Art Foundation.
Anna Boghiguian, A Play to Play 2013. Courtesy the artist and Sfeir-Semler Gallery, Hamburg & Beirut. Acquired with funding from the friends and patrons of the Museum der Moderne Salzburg in honor of Sabine Breitwieser Installation view: Sharjah Art Foundation, 2018. Image courtesy of Sharjah Art Foundation.

Her approach takes the book as a starting point, which she then deconstructs and transforms into an expanded form through a process of cutting, folding and unfolding. Boghiguian has travelled extensively and much of this experience informs her practice as an emphatic observer of people, places and the wider socio-political and historical contexts. Her subject traverses geographies and centres on the complexities of the human condition, from past to present, in order to “celebrate a nomadic and suffering humanity, who have been victims of history and its many conflicts.”

Anna Boghiguian, A Tin Drum That Has Forgotten Its Own Rhythm, 2019. Exhibition view Tate St Ives 2019. Courtesy the artist Image: © Tate. Photo: Ian Kingsnorth
Anna Boghiguian, A Tin Drum That Has Forgotten Its Own Rhythm, 2019. Exhibition view Tate St Ives 2019. Courtesy the artist Image: © Tate. Photo: Ian Kingsnorth

A central work in this exhibition, The Salt Traders (2015) is based on the artist’s imaginary story about an ancient Roman salt ship emerging from melting polar ice in the year AD 2300, a time when future civilisations learn about the history of their world. The work comprises painted sails, collages, honeycombs, sections of a boat, red wool and salt. It speaks of wider commerce and history of salt as well as key events relating to this history. Specifically made for this exhibition is a new work, A Tin Has Forgotten Its Own Rhythm (2019), referencing the history of Cornwall where Tate St. Ives is located and highlighting the loss of the local tin mining industry and its fishing heritage. Whilst Boghiguian’s installations might on first encounter seem like a theatrical setting of elaborate motifs, on closer inspection, her works engage critically with injustices against individuals, spanning topics of global commerce, slavery, colonialism, conflicts and wars. The exhibition at Tate St. Ives is organised by curators Carolyn Christov-Bakargiev, director, and Marianna Vecellio, curator of Castello di Rivoli Museo d’Arte Contemporanea, with Anne Barlow, director of Tate St. Ives.

Anna Boghiguian, Promenade dans l’inconscient (A Walk in the Unconscious) 2016. Exhibition view Tate St Ives 2019. Courtesy the artist Photo: © Tate
Anna Boghiguian, Promenade dans l’inconscient (A Walk in the Unconscious) 2016. Exhibition view Tate St Ives 2019. Courtesy the artist Photo: © Tate

Bio
Anna Boghiguian was born in 1946 in Cairo, Egypt. She studied political science at the American University in Cairo, Egypt, and arts and music at Concordia University in Montreal, Canada. Recent solo exhibitions include: Anna Boghiguian, Tate St. Ives, UK (2019); The Loom of History, New Museum, New York, USA (2018); Anna Boghiguian, Bait Al Serkal, Sharjah Arts Square, Sharjah, UAE (2018); Anna Boghiguian, Castello di Rivoli, Rivoli, Italy (2017); Cities by the Rivers, SBC Gallery of Contemporary Art, Montreal, Canada (2015); Anna Boghiguian, I heard of myths but I understood I have to free myself from it but how, when, and where, Sfeir-Semler Gallery, Beirut, Lebanon (2014).

Anna Boghiguian, A Tin Drum That Has Forgotten Its Own Rhythm, 2019. Exhibition view Tate St Ives 2019. Courtesy the artist Image: © Tate. Photo: Ian Kingsnorth
Anna Boghiguian, A Tin Drum That Has Forgotten Its Own Rhythm, 2019. Exhibition view Tate St Ives 2019. Courtesy the artist Image: © Tate. Photo: Ian Kingsnorth

The exhibit is on view until the 6th of May, 2019.

Jareh Das

Jareh Das, PhD, is a researcher, writer and curator who works on diverse visual arts projects independently, with arts institutions and non-profit organisations centred on ‘the contemporary.' Das was awarded her doctorate in July 2018 in Curating Art and Science: New Methods and Sites of Production and Display offered in partnership with Royal Holloway, University of London and Arts Catalyst. Her future research will look at Contemporary West African Performance Art.

SUBSCRIBE TO OUR NEWSLETTER

selections-arts-logo

SELECTIONS is a platform for the arts, focusing on the Arab World.

Selections editorial presents a quarterly print magazine and weekly online publication with high quality content on all subjects related to Art and Culture. Full of world-leading artworks, exquisite brand imagery, original creative illustrations and insightful written articles.
Selections Viewing Rooms presents carefully curated online art shows aiming not only to shed light on contemporary art executed by living artists, but also for viewers to buy contemporary fine art, prints & multiples, photography, street art and collectibles.
Discover the previous and current shows here.
Cultural Narratives foundation is an extensive collection that is travelling the world by leading established and emerging talents aiming to reflect the culture of the region in their works.

RANDOM READS
Abusharia Ahmed, Sudan 06-19 #9, 2019, Ink on paper, 58 x 70 cm.

ABU DHABI ART FAIR 2020

Abu Dhabi Art Fair is an interactive digital edition of…

I Put a Spell On You, curated by Sam Bardaouil and Till Fellrath, exhibition view at SCAD Museum of Art

I Put a Spell on You at SCAD Museum of Art

The group exhibition I Put a Spell on You explores…

Timo Nasseri portrait by K. Ruethemann

TIMO NASSERI | DIARY OF AN ARTIST IN INTERESTING TIMES

Taking up this issue’s theme of ‘The Diary of an…

Afra Al Dhaheri, Tasreeha, 2020. Photo credits to Ruzai Han

ABU DHABI ART | BEYOND: EMERGING ARTISTS

Beyond: Emerging Artists programme is curated by Maya El-Khalil, who…

Lubaina Himid, Five Conversations, 2019. Acrylic on found wooden doors.

FRIEZE LONDON 2020

Frieze London celebrates the best of contemporary art around the…

Karine Boulanger, Murmures Entre Les Branches, 2015. Oil on canvas, 130 x 195 cm. Courtesy of Galerie Janine Rubeiz.

WHY I MOVED TO THE COUNTRYSIDE

Climate change and the search for a healthier and more…

november 2020

07julAll Day15novVirtual EventConstructing a Dream

10sepAll Day14novJORGE TACLA | SEÑAL DE ABANDONO

19sepAll Day12novMOHAMED AHMED IBRAHIM| MEMORY DRUM