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Tashkeel is proud to present ‘A Terranean Love Note’, a solo exhibition by the artist Mays Albaik. The exhibition is a culmination of Albaik’s year-long research and development on the Critical Practice Programme 2020 at Tashkeel with mentors Ala Younes and Lawrence Abu Hamdan.

Through spatial interventions, sculpture and video work, ‘A Terranean Love Note’ explores moments of contact between the self and placehood – constructed sites of physical residence, digital spaces or ancestral homelands. The works triangulate body, language and space by layering a personal poetics onto the social politics that define our relationship to geography.

Mays Albaik’s early practice developed out of the oral narration of her family’s history, the story of her grandfather’s exile from Palestine, and the winding path through geopolitical and cultural landscapes that led to where she is now; a non-citizen resident of her country of birth. She holds an MFA from Rhode Island School of Design and a B.Arch from the American University of Sharjah. An alumna of Salama Emerging Artist Fellowship (SEAF), she has participated in exhibitions including ‘Qala 0.8900’ (Darat Al Funun, Jordan); ‘Before We Were Banned’ (Helix Art Gallery, Brooklyn, New York); ‘Sawt 2a’ (Grey Noise, Dubai); ‘Mind the Gap’ (Tashkeel, Dubai), and ‘Change Coordinates + Someone Else’ (1971 Design Space, Sharjah).

Courtesy of Tashkeel.

Tashkeel is proud to present ‘A Terranean Love Note’, a solo exhibition by the artist Mays Albaik. The exhibition is a culmination of Albaik’s year-long research and development on the Critical Practice Programme 2020 at Tashkeel with mentors Ala Younes and Lawrence Abu Hamdan.

Through spatial interventions, sculpture and video work, ‘A Terranean Love Note’ explores moments of contact between the self and placehood – constructed sites of physical residence, digital spaces or ancestral homelands. The works triangulate body, language and space by layering a personal poetics onto the social politics that define our relationship to geography.

Mays Albaik’s early practice developed out of the oral narration of her family’s history, the story of her grandfather’s exile from Palestine, and the winding path through geopolitical and cultural landscapes that led to where she is now; a non-citizen resident of her country of birth. She holds an MFA from Rhode Island School of Design and a B.Arch from the American University of Sharjah. An alumna of Salama Emerging Artist Fellowship (SEAF), she has participated in exhibitions including ‘Qala 0.8900’ (Darat Al Funun, Jordan); ‘Before We Were Banned’ (Helix Art Gallery, Brooklyn, New York); ‘Sawt 2a’ (Grey Noise, Dubai); ‘Mind the Gap’ (Tashkeel, Dubai), and ‘Change Coordinates + Someone Else’ (1971 Design Space, Sharjah).

Courtesy of Tashkeel.