Imprisoned by the absurd reality we are living in currently, we dream. Between the elusive past and the illusive future we imagine, reinvent, project and explore the possibilities of utopic
Imprisoned by the absurd reality we are living in currently, we dream. Between the elusive past and the illusive future we imagine, reinvent, project and explore the possibilities of utopic cities.
IMAGINARY CITIES is a project that unfolds in 4 chapters: Collaborations exploring cities through the prism of reveries and realities, fluidity and friction, the magical, the playful, and the futuristic…
Born in Qamishli, Syria, Mourad now lives and works in New York City. He received his Master of Fine Arts from the Yerevan Institute of Fine Arts in Armenia. Mourad employs his technique of live drawing and animation in concert with musicians – developing a collaboration in which art and music harmonise with one another.
Collaborators include Yo-Yo Ma, Kim Kashkashian, the Los Angeles Master Chorale, Brooklyn Rider, The Knights, Perspectives Ensemble, Paola Prestini, and Kinan Azmeh and he has performed in many institutions, including The Aga Khan Museum (Toronto), The Art Institute of Chicago, The American Museum of Natural History, The Brooklyn Museum of Art, The Bronx Museum of Art, Carnegie Hall, ElbPhilharmonie (Germany), Rhode Island School of Design, Nara Museum (Japan), Lincoln Center Atrium, the Metropolitan Museum of Art and The Walt Disney Concert Hall. Mourad has been a resident teaching artist at Brandeis University, Harvard University, and Holy Cross (Worcester). He is a member of Yo-Yo Ma’s Silk Road Ensemble and is featured in the film “Music of Strangers” (2016).
Recent commissions include Sound of Stone to accompany the exhibition “Armenia!” for the Metropolitan Museum of Art and Well Wish Ya, a dance performance piece with the OYO Dance Troupe in Namibia. His performance Home Within, co-produced with clarinetist Kinan Azmeh, has toured the world. The 2016 recipient of the Robert Bosch Stiftung Film Prize, he premiered his animated film, 4 Acts for Syria, at the Stuttgart Animation Festival. In 2019 he had a solo exhibit at Tabari Artspace in Dubai. In September 2019, he exhibited at Latitude, in Yerevan, Armenia, alongside Imran Qureshi, Roberto Pugliese, and Walid Siti. That year he was also commissioned by the Aga Khan Foundation to create a site-specific 20-foot drawing-sculpture called Seeing Through Babel, at London’s Ismaili Center, addressing the importance of diversity in our contemporary times. The piece was exhibited starting in October 2020 at the Asia Society Triennial in New York. In October 2020 he also premiered the visuals for Beethoven’s Fidelio for the Korea National Opera. His works are in the permanent collection of the Institut du Monde Arabe in Paris.
Courtesy of Galerie Tanit, Munich
February 15 (Tuesday) - March 30 (Wednesday)
Galerie Tanit Munich
Reisingerstr. 6 | Ground floor, München 80337, Germany