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Stéphanie Saadé, Solid Gold, 2014. Chain, 24-carat gold leaf, 200 cm

The first edition of Liste Showtime is an online platform for 72 galleries from 35…

49
Rana Samara, Prosthetics, 2019. Acrylic on canvas, 207 × 530 cm. Courtesy of Zawyeh Gallery

Friends, food and a good conversation. A simple and enduring combination of ingredients made unique…

Ebrahim Noroozi, from The Narrative of a Dream series, 2018. Digital print on professional photo paper, 80 x 120 cm. Edition of 5. Courtesy of Silk Road gallery and the artist.

Twice a year, Teer Art creates a space connecting local galleries, art collectors, curators, artists,…

Fahamu Pecou, BlackBoy, 2020. Acrylic on canvas, 167.6 × 137.2 cm

Intersect Aspen (formerly Art Aspen) is an annual art and cultural event in the heart…

Lisa Reihana, Te Wai Ngunguru – Nomads of the Sea, 2019. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. Originally co-commissioned by Sharjah Art Foundation and Creative New Zealand, Nga Aho Whakaari, Te Taura Whiri Maori Language Commission and Jan Warburton Charitable Trust. Co-produced by Artprojects and Reihanamations Ltd. Presented at the 22nd Biennale of Sydney with generous support from Creative New Zealand and Penelope Seidler AM. Courtesy the artist and Gallery Sally Dan-Cuthbert, Sydney. Photograph: Alex Robinson

The Biennale of Sydney returns for its 22nd edition under the artistic direction of Indigenous…

Carlo Bossoli (Lugano 1815 – Turin 1884), The cathedral of Palermo, 1845. Tempera on paper, 59 × 89 cm

London Art Week aims to offer the very best paintings, drawings, sculpture and objects dating…

Sultan bin Fahad, To Dust, 2019. Crystal, brass, copper, steel, and mirror, dimensions variable. Courtesy of Athr Gallery.

Saudi artist Sultan bin Fahad unveiled his second solo exhibit at Riyadh’s Red Palace last…

Gil Heitor Cortesão, The Crossing #6, 2019. Oil on plexiglas, 72 × 177 cm

Paris Gallery Weekend promotes a unique way to experience art, carefully drawing routes from one…

Yinka Shonibare CBE, ‘Planets in my Head, Young Geologist’, 2019. Fibreglass mannequin, Dutch wax printed cotton textile, globe, brass, steel base plate, tripod and theodolite, 120 x 107 x 73 cm

The second edition of Art Basel’s Online Viewing Rooms features an international lineup of 279…

Dox Thrash, One Horse Farmer, ca. 1944-48. Carborundum mezzotint, 15.1 × 22.5 cm

The IFPDA Fine Art Print Fair is a non-profit association representing a vetted community of…

Bae Bien-U, snm5a-015h, 2014. C-print mounted on plexiglass, 135 x 260 cm

Art Brussels had assembled an exceptional 38th edition this year with a strong selection of…

Trevor Paglen, CLOUD #135 Hough Lines, 2019. Dye sublimation print; 121.92 × 165.10 cm. Edition of 5 plus II AP and 1 exhibition copy. Courtesy of the artist and PACE Gallery.
An exhibition in Sharjah examines art during the Internet era No tour of Sharjah this…
Kamiar Maleki

Kamiar Maleki is a collector, curator, fair director, patron and philanthropist with over 15 years’…

Floto + Warner, The Auras, Purple 10, 2017, 2017. Digital C-print, 76 × 50 cm. A. Galerie

Art Paris brings together some 150 galleries from twenty different countries in an art fair…

Serwan Baran, Untitled, 2020. Acrylic on canvas, 200 x 325 cm. Photography by Paul Hennebelle, courtesy of Saleh Barakat Gallery.
Iraq’s seemingly endless conflict pervades Serwan Baran’s work Iraqi-Kurdish Artist Serwan Baran untangles the complexities…
Helen Zughaib, Syrian Migration Series #14, 2016. Gouache and ink on board, 12” x 18” cm. Collection of the Library of Congress. Courtesy of the artist.

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Khaled Hafez, Houston Angels, 2014. Mixed media on canvas, 500 x 200 cm. Courtesy of the artist

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Matt Ryder, Fujairah Rock formations - Plein Air - 12”x16” - Oil on linen. Courtesy of Matt Ryder.

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Louvre Abu Dhabi

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Najla Alkhalifa, Dilmun Paradise, from ‘The Land Where The Sun Rises’ - 45th Bahrain Annual Fine Arts Exhibition. Courtesy of the artist.

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Samia Halaby, Three Mothers and Three Exotic Birds Under an Olive Tree, Women of Palestine Series, 2009. Acrylic on Canvas, 216 X 183 cm. Courtesy of Ayyam Gallery.

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Marwan, Untitled, 1977. Tempera on canvas, 55 x 33 cm. Image courtesy of Barjeel Art Foundation, Sharjah. Photographed by Capital D

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Manal AlDowayan, Now You See Me, Now You Don’t, installation view at Desert X AlUla, photo by Lance Gerber, courtesy of the artist and Desert X AlUla

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

EL SEED (1981) Tunisia, Mario I and Mario II, 2017. Acrylic on canvas, 120.5 x 400 x 3.5 cm. Diptych. Courtesy of Ramzi & Saeda Dalloul Art Foundation.

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Seher Shah and Randhir Singh, Studies in Form, Flatlands Blueprints 8, 2018. Cyanotype prints on Arches Aquarelle Paper, 15 x 11 in. Courtesy the Artists and Green Art Gallery, Dubai

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Abdalla Al Omari, ‘The Queue’, 2016. Oil and acrylic on canvas, 160 x 207 cm. Courtesy of Ayyam Gallery.

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

selections-arts-Yuko Mohri-Oni-bi-fen-fire-feature

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Lawrence Abu Hamdan, The All-Hearing, 2014. Film Still. Courtesy of the artist and Sfeir-Semler Gallery Beirut/Hamburg.

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Latifa Echakhch, Tkaf, 2011. Bricks and pigment; dimensions variable. Installation view: Sharjah Biennial 11, Sharjah, 2013. Courtesy of the Artist and Kamel Mennour, Paris. Photo: Sharjah Art Foundation

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Rashid Al Khalifa, Maze (Detail), 2018. Enamel on Stainless steel, 400 x 300 x 1200 cm. © Rashid Al Khalifa.

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

National Museum of Qatar © Iwan Baan, Courtesy of the National Museum of Qatar

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Ziad Antar, Portrait of a Territory, 2010. C-print. Commissioned and Produced by Sharjah Art Foundation. Sharjah Art Foundation Collection. Image courtesy of the artist.

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Shaikha Al Mazrou, Red on White II, 2013. Found Objects, 150 x 150 x 100 cm. Courtesy the artist and Lawrie Shabibi.

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Athier Mousawi, ‘Machine Hearts 15’, 2015. Acrylic on canvas, 143 x 140 cm. Courtesy of Ayyam Gallery

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Abdulnasser Gharem, Hemisphere, 2013. Digital print and lacquer paint on rubber stamps on aluminum, 241 x 362 cm, in three parts. Courtesy of Madina Art Center.

In this issue, we go back to basics and review definitions of frequently (or infrequently)…

Installation View of Unknown Places Exhibition
A Dubai exhibit highlights the magic of unknown places. An exhibition investigating Unknown Places reveals…
Abdul Rahman Katanani, The Wave, 2019. Barbed wire
Abdul Rahman Katanani plays with sombre themes. His latest exhibition, Brainstorm, confronts viewers with bleak…
Pablo Picasso, Françoise, Claude, Paloma : la lecture et les jeux. I [Françoise, Claude, Paloma: reading and games], Paris, 16 January 1953. Etching, aquatint, and scraper on copper. Third state. Proof by Lacourière, 33,5 × 48,4 cm. Musée national Picasso-Paris, Dation Pablo Picasso, 1979. MP3009. © RMN-Grand Palais. © Succession Picasso 2019
The Sursock Museum hosts a bijou exhibit of the great artist’s work The Sursock Museum’s…
A visual from the gallery. Courtesy of Art on 56th

Art on 56th gallery is an independent visual arts gallery in Beirut, Lebanon. It was…

Installation view. Courtesy of Andakulova Gallery

Andakulova Gallery is a contemporary art gallery with an objective to promote Central Asia’s contemporary…

Bernhard Buhmann, The Chaser, the Ambusher and the Fickle, 2019. Courtesy of Carbon 12

Carbon 12 was established in 2008, initiating a comprehensive, firmly global, programme of institution-grade artists.…

Abdul Rahman Katanani, The Wave of Change, 2019. Woven barbed wire, 350 x 850 x 400 cm. ©Paul Hannebelle

Agial Art Gallery, established in Beirut in 1990, is one of the leading destinations for…

Installation Shot . Galerie Tanit Beyrouth . Towards the Sublime . Collective Exhibition . June 2019

Gallery Statement For over forty years Galerie Tanit has played an important role in introducing…

Art on 56th, installation view

Gallery Statement Art on 56th gallery is an independent visual arts gallery in Beirut, Lebanon.…

Installation view

GALLERY STATEMENT Marfa’ Projects works with local and regional artists to produce and present idea-based…

Leila and Alexander Heller at their new gallery space on the Upper East Side in New York. Courtesy of Leila Heller Gallery

GALLERY STATEMENT Since its establishment over three decades ago in New York, Leila Heller Gallery…

Avoid Bad Dreams, Installation view at Green Art Gallery, 2019, Photo by Anna Shtraus. Courtesy of Green Art Gallery

GALLERY STATEMENT Green Art Gallery has been active in the region for nearly four decades…

Bernhard Buhmann, The Chaser, the Ambusher and the Fickle, 2019

GALLERY STATEMENT Carbon 12 was established in 2008, initiating a comprehensive, firmly global, programme of…

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SELECTIONS is a platform for the arts, focusing on the Arab World.

Selections editorial presents a quarterly print magazine and weekly online publication with high quality content on all subjects related to Art and Culture. Full of world-leading artworks, exquisite brand imagery, original creative illustrations and insightful written articles.
Selections Viewing Rooms presents carefully curated online art shows aiming not only to shed light on contemporary art executed by living artists, but also for viewers to buy contemporary fine art, prints & multiples, photography, street art and collectibles.
Discover the previous and current shows here.
Cultural Narratives foundation is an extensive collection that is travelling the world by leading established and emerging talents aiming to reflect the culture of the region in their works.

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