Graziella Pinto, Cacho de Palavras, 2020. Plastic balls.
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SIT . READ . WRITE
The main goal of this exhibition is to create a forum of ideas that can help us renew our minds after months of quarantining and to promote the creativity within each and every one of us. The show offers the public a unique experience that can be built after confinement, a garden to restart in peace. Stop, sit and reconnect with yourself. “Sit down to read and why not write?” explains Marc Pottier, the curator “If anyone wants, they can send us their ‘tales’ and come to be a part of a contest we want to organise with the São Paulo Book Biennial” completes Pottier.
Sit . Read . Write Exhibition
Source: Sit . Read . Write
SIT . READ . WRITE
Bruno Novaes, Desenho Livre/Free Draw, 2020. Blackboards and chalks.
Source: Sit . Read . Write
SIT . READ . WRITE
Ciro Schu, Balance, 2019-2020. Painted swings, site specific work.
Source: Sit . Read . Write
SIT . READ . WRITE
Claudia Jaguaribe, Amarelinha/Hopscotch, 2020.
Source: Sit . Read . Write
SIT . READ . WRITE
'The production of our furniture is exclusively worked with wood from FSC forest management, which aligns our interests with the preservation of biodiversity in the Amazon, in addition to contributing to the social development of the families who live there. In addition, we decided to produce the Araxi AVVA Collection with socially vulnerable artisans, such as people who are in chemical rehabilitation programs, and thus, we believe that manual work and the development of techniques will help in recovery and development as an individual.'
Graziella Pinto, Cacho de Palavras, 2020. Plastic balls.
Source: Sit . Read . Write
SIT . READ . WRITE
Hugo França , Banco/Bank, 2017
Source: Sit . Read . Write
SIT . READ . WRITE
Hugo França , Banco/Bank, 2017. Detail.
Source: Sit . Read . Write
SIT . READ . WRITE
Jorge Méndez Blake, “I would prefer not to” (2009), Herman Melville’s books and concrete blocks.
Source: Sit . Read . Write
SIT . READ . WRITE
Jorge Méndez Blake, “I would prefer not to” (2009), Herman Melville’s books and concrete blocks, Detail.
Source: Sit . Read . Write
SIT . READ . WRITE
Maria Fernanda Paes de Barros and Kulikyrda Mehinako, Where Do I want to Leave My Reflection?, 2020
Source: Sit . Read . Write
SIT . READ . WRITE
Lucas Dupin, Biblioteca por vir, 2020. Sculpture in concrete and natural jasmines.
Source: Sit . Read . Write
SIT . READ . WRITE
Oskar Metsavaht, Manifesto Amazônico I -Garimpo (2019). Golden wire and videoart.
Source: Sit . Read . Write
SIT . READ . WRITE
Renata Adler, Camaleões, 2020. Sculptures in painted wood.
Source: Sit . Read . Write
SIT . READ . WRITE
Renata Barros, Namoradeira/trepadeira e brincadeira/trepadeira (2020). Chairs and synthetic plants.
Source: Sit . Read . Write
SIT . READ . WRITE
Rodrigo Bueno, Rebentos (2014). Table and bench in wrought iron and painted wood.
Source: Sit . Read . Write
SIT . READ . WRITE
Susanne Schirato, Cabo Guia (2020). White embroidery on black fabrics.
Source: Sit . Read . Write
SIT . READ . WRITE
Susanne Schirato, Cabo Guia (2020). White embroidery on black fabrics. Details.
Source: Sit . Read . Write
SIT . READ . WRITE
Verena Smit, “In Memoriam”, Intervenção Nos Bancos da Praça/“In Memoriam”, Intervention in the Square Benches, 2020. Bronze sheets with engraved poems.
Source: Sit . Read . Write
Sit – Read – Write is the 3rd edition of the Project, Circular – art in the square Adolpho Bloch. The project “Arte na Praça Adolpho Bloch”, idealised and made by Farah Service, the most important urban improvements company in Brazil, comes to its third edition, with more purpose than ever, more mature and connected with nowadays adversities and a huge passion from the artistic class whose thirsty for an opportunity of expressing their artwork and getting close to the public. Fourteen new artists expose their work and join the four remaining artworks from the previous editions that includes Bruno Novaes, Douglas White, Rodrigo Sassi e Oskar Metsavaht. There are also two fixed installations, Hugo França´s bench and Ciro Schu’s swing.
The renowned French curator, Marc Pottier is responsible for choosing artists and all artwork that forms the exhibition. For the first time he invites an international artist, the Mexican Jorge Méndez Blake. Besides him, Claudia Jaguaribe, Delphine Araxi Sanoian, Felipe Seixas, Flávio Brick, Graziella Pinto, Lucas Dupin, Maria Fernanda Paes de Barros e Kulikyrda Mehi- nako -of the Kaupüna tribe, Renata Adler, Renata Barros, Rodrigo Bueno, Susanne Schirato and Verena Smit, are part of the new crew of the project.
The show can be viewed at The Adolpho Bloch Square, located at the intersection of Avenida Brasil and Rua Colombia, in the Jardins region of central São Paulo, from the 20th of September to the 31st of January, 2021.
