Painting the forest became a compelling urge for the artist, leading to frequent returns to the site. The boundary between the studio and the forest became blurred, as the artist lost track of the centre and periphery. Each visit felt like a journey through abstract fragments of memory, where familiar scents and discoveries transported him to the primordial state. The exhibition serves as a recollection of the artist’s childhood playground and teenage years. The exhibition is a process of repainting the artist’s initial artworks, capturing the changes in the forest over time. Comparing old and current photographs reveals how wilderness has reclaimed the space, with the human presence diminishing.
The paintings in the exhibition are portraits, capturing immediate and intimate connections with the forest’s sites. Each site holds emotional significance, from sheltering spots like “Hiding from the Rain” to bucolic scenes like “Sunday Afternoon.” Colloquial names like “Cow Tits” and “Jackal’s Cucumber” reflect the collective imagination that named these forms over generations. Researching and renaming plants became part of the artistic process, with some names remembered and others gathered through outreach. The artist selected names based on their poetic or playful nature, diverging from their scientific counterparts. For instance, “Wild Oat” was renamed “How Many Sins?” about a childhood game. This series, initiated in July 2023, aims to cover a one-year cycle of the forest, reflecting the ongoing nature of the artist’s visits and work. Through “The Forest,” the artist navigates the complexities of memory, identity, and transformation within his childhood landscape.
About Omar Fakhoury
Caption featured image: Omar Fakhoury, Stone, 2024, Acrylic on linen.