Hoda Tawakol, Delicious Monster #15, 2022. Fabric, wadding, thread, 250 x 520 x 150 cm. Photos: Mareike Tocha

Hoda Tawakol works mainly with fabric; dyes, shapes and fills it, turning it simultaneously into artwork and canvas, projection surface and content. In their form, color and sensual materiality, the works develop a high symbolic power that takes up elements from botany and physicality and embeds them in an intercultural context.

Hoda Tawakol, Delicious Monster, exhibition view. Photos: Mareike Tocha
Hoda Tawakol, Delicious Monster, exhibition view. Photos: Mareike Tocha

Tawakol presents her first solo exhibition Delicious Monster at Ruttkowski;68 in Düsseldorf. The exhibited work originates from different series, addresses the female body and its ambivalent perception in patriarchal structures.

Hoda Tawakol, Delicious Monster #15, 2022. Fabric, wadding, thread, 250 x 520 x 150 cm. Photos: Mareike Tocha
Hoda Tawakol, Delicious Monster #15, 2022. Fabric, wadding, thread, 250 x 520 x 150 cm. Photos: Mareike Tocha

Delicious Monster, an enormous monstera deliciosa dominating the room, precisely spans this ambivalent space, evoking a juxtaposition of contrary feelings, from fascination and threat to attraction and fear. It plays with the viewer’s associations, recalling longings and abundance, power and manipulation.

Hoda Tawakol Mummy #23, 2022. Nylons, fabric, rice, resin, 31 x 19 x 17 cm. Photos: Mareike Tocha
Hoda Tawakol Mummy #23, 2022. Nylons, fabric, rice, resin, 31 x 19 x 17 cm. Photos: Mareike Tocha

Mummies, cocoon-like bodies of nylons filled with rice – wrapped, pulled, mummified – construct a bodily presence that makes transformation, distortion and control visible.

Hoda Tawakol, Nudes #31, 2020. Nylons, fabric, rice, resin, 33 x 25 x 15 cm. Photos: Mareike Tocha
Hoda Tawakol, Nudes #31, 2020. Nylons, fabric, rice, resin, 33 x 25 x 15 cm. Photos: Mareike Tocha

The Nudes series – created in similar materiality and technique – counter this by an empowered yet reduced corporeality.

Hoda Tawakol, Delicious Monster, exhibition view. Photos: Mareike Tocha
Hoda Tawakol, Delicious Monster, exhibition view. Photos: Mareike Tocha

Wall-filling fabric sculptures of date palm trees, which are of high symbolic and physical value in eastern cultures, refers to gender fluidity, motherhood and its life-giving characteristics. The multifaceted textile and bodily landscapes raise questions and irritation throughout the exhibition, while presenting unique aesthetics that can be perceived throughout the own bodily constitution.

Hoda Tawakol, Delicious Monster, exhibition view. Photos: Mareike Tocha
Hoda Tawakol, Delicious Monster, exhibition view. Photos: Mareike Tocha

The exhibition is on view until the 10th of July, 2022.

Info is extracted from the press release.

SUBSCRIBE TO OUR NEWSLETTER

selections-arts-logo

SELECTIONS is a platform for the arts, focusing on the Arab World.

Selections editorial presents a quarterly print magazine and weekly online publication with high quality content on all subjects related to Art and Culture. Full of world-leading artworks, exquisite brand imagery, original creative illustrations and insightful written articles.
Selections Viewing Rooms presents carefully curated online art shows aiming not only to shed light on contemporary art executed by living artists, but also for viewers to buy contemporary fine art, prints & multiples, photography, street art and collectibles.
Discover the previous and current shows here.
Cultural Narratives foundation is an extensive collection that is travelling the world by leading established and emerging talents aiming to reflect the culture of the region in their works.

RANDOM READS
Maitha Abdalla, Too Close to the Sun, 2021. Beyond: Emerging Artists 2021 at Biennale Arte 2022 – Courtesy of Abu Dhabi Art

BEYOND: EMERGING ARTISTS AT LA BIENNALE DI VENEZIA

Beyond: Emerging Artists 2021 exhibition at Palazzo Franchetti in Venice,…

References

OUSSAMA GHANAM IN BEING AYMAN BAALBAKI ISSUE

By Oussama Ghanam  In 2003, during our student years, Ayman…

Aicha Filali, Shelltox. Collage heightened with acrylic, 85 x 56 cm. Courtesy of the artist and Elmarsa Gallery

MÉMOIRE EN RACCOURCIS (MEMORY IN SHORT) AT ELMARSA GALLERY

Tunisian artist Aicha Filali’s solo exhibition Mémoire en raccourcis (Memory…

Hammad in the studio. Damascus, 1981.

ARTIST ESTATES: MAHMOUD HAMMAD

MAHMOUD HAMMAD B. 1923 in Damascus, Syria, D.1988 in Damascus,…

Portrait of Ayman Baalbaki by Serwan Baran.

SERWAN BARAN IN BEING AYMAN BAALBAKI ISSUE

By Serwan Baran My first meeting with Ayman was in…

Beirut. The Eras of design exhibition view. Photo credit Caroline Dethier

BEIRUT. THE ERAS OF DESIGN EXHIBITION AT CID AT GRAND HORNU

A city at the crossroads of the East and the…

june 2022

16febAll Day01julJITISH KALLAT | ORDER OF MAGNITUDE

16febAll Day01julJITISH KALLAT | ORDER OF MAGNITUDE

25febAll Day12junHUGUETTE CALAND | TÊTE-À-TÊTE