Saher Nassar, Untitled 1, 2021. Installation (Acylic boards), 90 x 118 cm

Metaphor exhibition by Saher Nassar is on view at Zawyeh Gallery were the artist reflects the spirit of a mutineer or a revolutionist. Nassar rebels against dominant metaphors, established symbols and the power of authority. Through four series of artworks, he focuses on the theme of breaking metaphors and resisting all sort of rules, expectations or norms and questioning all sorts of representations of establishment and authority. The exhibition includes different body of works with a range of materials and styles as Nassar uses a mixture of abstract paintings, collage, drawings and photographs in addition to ready made objects.

In one series, he places five packs of cigarettes in the middle of five different archival images of war that took place in five different countries around the world. The message on the five packs reads: Smoking Kills in five different languages connected to the five different geographies where the photos were taken. The series stresses on two layers of dangerous threats to humanity: war and smoking.

Saher Nassar, Smoking Kills, 2021. Collage on paper, 66 x 56 cm

Nevertheless, the third layer that he is trying to convey can be read between the lines; it’s the lethal combination between capitalism and politics where the politics of war paves the way for western multi national conglomerates to dominate the economies of poorer countries selling products that also kill.

Smoking Kills, exhibition view
Smoking Kills, exhibition view

In Network Nassar works take the form of abstract art through the geometric colourful strips that occupy the canvas. In the middle of each work, he adds an actual blood slide sample. The stripes are meant to reflect the variety of data that blood samples hold, representing “one’s behavior and their likes and dislikes, and what makes them who they are”.

Saher Nassar, Network #4 & #1, 2021. Collage on board, 20 x 20 x 5 cm

So even though “blood“ can unite a group of people metaphorically, the details tell a different story. In this sense, Nassar calls against tribal partisanship and ethnocentrism and looking at individuals for who they are.

Saher Nassar, Network, 2021. Installation (Plexi and glass), 60 x 43 x 12 cm
Saher Nassar, Network, 2021. Installation (Plexi and glass), 60 x 43 x 12 cm
Saher Nassar, The State, 2021. Installation (print and lightbox), 13 x 13 x 70 cm, 70 x 60 cm
Saher Nassar, The State, 2021. Installation (print and lightbox), 13 x 13 x 70 cm, 70 x 60 cm

 

In Kill The Metaphor he presents a series of mixed media artworks exploring “the myth of power and the power of myth” in different ways.

He explains the metaphor as “a tool that’s meant to help us understand phenomena and make sense of the world around us, however, it could be deceitful and could prevent us from seeing the truth.”

Saher Nassar, Untitled 1, 2021. Installation (Acylic boards), 90 x 118 cm
Saher Nassar, Untitled 1, 2021. Installation (Acylic boards), 90 x 118 cm

Nassar’s watchfully chosen words and images are an attempt to expose objects or actions that we think means something while in actual fact they reinforce the authority of power over people and encourage narrow mindedness. Killing the metaphor is ridiculing and exposing what lies beyond the surface and encourages accepting other opinions, beliefs, behaviors, different from one’s own and the rejection of the domination of the power of authority.

Exhibition view
Exhibition view

Metaphor is organised as part of a series of exhibitions at Alserkal Avenue with the intention to encourage young Palestinian artists to produce and participate, and provide them a platform to exhibit their works in front of the wider international audience, as part of the gallery’s attempts to empower and support young emerging artists.


The info is extracted from the press release.

The exhibition runs until the 6th of November.

SUBSCRIBE TO OUR NEWSLETTER

selections-arts-logo

SELECTIONS is a platform for the arts, focusing on the Arab World.

Selections editorial presents a quarterly print magazine and weekly online publication with high quality content on all subjects related to Art and Culture. Full of world-leading artworks, exquisite brand imagery, original creative illustrations and insightful written articles.
Selections Viewing Rooms presents carefully curated online art shows aiming not only to shed light on contemporary art executed by living artists, but also for viewers to buy contemporary fine art, prints & multiples, photography, street art and collectibles.
Discover the previous and current shows here.
Cultural Narratives foundation is an extensive collection that is travelling the world by leading established and emerging talents aiming to reflect the culture of the region in their works.

RANDOM READS
Samia Halaby’s ‘portrait’ for Curriculum Vitae Issue

CURRICULUM VITAE | SAMIA HALABY

THEY’RE THE MOST ARTISTIC CURRICULUM VITAES YOU’VE EVER SEEN. SELECTIONS…

Stephen Peirce, Abundance, 2018. Oil on canvas, 160 x 220 cm. Copyright: B. Atala. Courtesy of Mark Hachem Gallery

LE MOBILIER NATIONAL, PARIS

SELECTIONS delves into the world of acquisitions, exploring what museums…

INVENTING PERSPECTIVE | NADA DEBS

WE’VE ASKED ARTISTS, ARCHITECTS AND DESIGNERS, PLUS ARCHITECTURAL STUDENTS FROM…

Ekin Su Koç, Berlin Summer VI,Courtesy of the artist and Anna Laudel Gallery

16TH EDITION OF CONTEMPORARY ISTANBUL HIGHLIGHTS

The 16th edition of Contemporary Istanbul brought together more than…

A letter from Gibran Khalil Gibran to Marie El Khoury

THE POWER OF THE PEN | A LETTER FROM GIBRAN KHALIL GIBRAN TO MARIE EL KHOURY

Ranging from declarations of love and outpourings of grief to…

Hayv Kahraman, Identification (Facial Hair), 2016, oil on linen, 63.5 × 218.4 cm

HAYV KAHRAMAN TALKS DISTANCE, VIOLENCE AND THE MALE GAZE

NADA SHABOUT INTERVIEWS RHEIM ALKADHI, HAYV KAHRAMAN AND HANAA MALALLAH…

october 2021

09marAll Day09octPLASTIC, THE LAST HERO OF THE GREAT STEPPE - THE ART OF SAULE SULEIMENOVA

19junAll Day17octTHE ARCHITECTURE OF CONFINEMENT

24julAll Day01octSHARJAPAN 3–REMAIN CALM: SOLITUDE AND CONNECTIVITY IN JAPANESE ARCHITECTURE