The panel Shaping the Landscape in Riyadh: The Impact of Riyadh Art explored the transformative role of large-scale public art initiatives, particularly the Tuwaiq Sculpture Program, in shaping Riyadh’s urban identity, cultural discourse, and community engagement. Panelist Omar Albrek, director and curator of Riyadh Art, and Sarah Alruwayti, the visionary behind Tuwaiq Sculpture, provided insights into the program’s ambitions and challenges.
Omar kicked things off by explaining that Riyadh Art is one of the most ambitious public art programs globally. The initiative goes beyond simply beautifying the city; it’s about shaping a new future for Riyadh. “We’re not just creating art for art’s sake, It’s about enabling the city to grow and fostering a cultural shift that aligns with the broader vision for Saudi Arabia.” Omar’s vision for Riyadh Art is to make the city a creative powerhouse, with international collaborations playing a major role.
Sarah shared her vision for the Tuwaiq Sculpture Program, which is about more than just putting up sculptures; it’s about creating a space where people can connect with the art. “Tuwaiq is about making visions come to life and bringing people into the process. With over 100 works spread across six editions, the program emphasizes community interaction, cultural exchange, and sparking dialogue.” Sarah noted that the placement of sculptures isn’t random. “We think about the audience and how they will receive these sculptures. The goal is to make them feel like they can create something too.”
The panel also dove into the bigger vision behind Riyadh Art. Launched in 2019 under King Salman Abdulaziz’s and the Crown Prince’s leadership, Riyadh Art is part of a wider plan for cultural renewal. Omar pointed out how the program fits into other major initiatives like Noor Riyadh and the Tuwaiq Sculpture Symposium focusing on “making Riyadh a centre for creativity, with projects that range from the metro system to cultural icons.”
The conversation shifted to balancing local identity with international engagement. Sarah emphasized the need to respect Riyadh’s roots while integrating diverse global perspectives. Omar then explained how they bring in international curators to collaborate with local curators, ensuring that the art reflects a broader, universal dialogue instead of a purely Western perspective.
Susana Botana
The panel also addressed how international artists have become more involved over the years, especially after the pandemic. Sarah explained: “What’s happening now is changing rapidly, and each year the perspectives evolve,” reflecting on how the program has grown and shaped perceptions of urban art.
The topic of public art placement across Riyadh came up as well, with Sarah highlighting how artworks are strategically placed in neighbourhoods, especially in areas less exposed to cultural experiences. Some artworks even incorporate interactive elements, turning public spaces into lively cultural centres. These programs are about creating connections, allowing art to blend seamlessly into everyday life.
Finally, maintaining these artworks is a major part of Riyadh Art’s strategy. Sarah explained how maintenance contracts and restoration projects keep sculptures in top shape, ensuring that the artworks continue to thrive in the public space. “People are not just seeing the art; they’re engaging with it and creating shared experiences.”
By integrating art into everyday spaces, Riyadh Art is making a lasting impact, shaping the city into a creative, and inclusive cultural hub.
